Farmers Image Of The Week: Blue Hour Bridal Portrait
FARMERS IMAGE OF THE WEEK
Lisa Devlin
Farmers Image Of The Week: Blue Hour Bridal Portrait
Critiquing your own image feels a little strange, but let’s delve into why this image by me – Lisa Devlin – resonates, especially from a technical and creative perspective.
First, let’s get into what causes Blue Hour.
Blue hour occurs after sunset and before sunrise, in that twilight window when the Sun is below the horizon, and the sky takes on deep, rich blue tones. This effect is caused by the scattering of shorter blue wavelengths of light in the atmosphere, which dominate due to the absence of direct sunlight. During this period, the Sun is between 4 to 8 degrees below the horizon, allowing blue light to scatter through the atmosphere while the longer red wavelengths dissipate. The unique quality of light during blue hour can lend an almost dreamlike quality to photographs, ideal for capturing moodier, ethereal scenes.
This image exemplifies the power of subtle, atmospheric lighting, using the blue hour’s naturally muted tones to bring out a tranquil, almost mystical quality. By positioning the model’s arms to frame the setting or rising moon, the composition becomes symbolic, evoking a sense of balance and harmony.
This time of day allows for a smooth, almost painterly transition in the sky’s colours, which contrasts beautifully with the warm tones of the figure. The texture of the water in the background and the soft falloff of light across the subject add depth without overpowering the central concept.
The creative decision to embrace the blue hour moves beyond standard golden hour shots and demonstrates how to use the natural progression of light to craft a different mood. It’s something a little bit out of the ordinary for a bridal image and I guess that is why it resonated with other photographers.
Overall, it’s a wonderfully atmospheric and conceptually strong image that speaks to the magic that can emerge after the sun dips below the horizon.
Some shoots carry their own magic, and this was definitely one of those. I’m so grateful my peers nominated one of the images for Image of the Week. It doesn’t happen very often, so receiving that recognition was a lovely surprise. I’ve even had messages from other photographers saying they’ve been inspired to try their own Blue Hour shoots, which feels like that magic is being passed on.
THE DETAILS
CAMERA: Sony A7III | Sony Zeiss 50mm 1.4
SETTINGS: ISO 1000 | F1.4 1/60
PRESET: Jamaica Ginger – My Own Preset
“As photographers, it’s important to carve out time to shoot purely for ourselves. How can we grow creatively if we’re only ever shooting for clients?. “
I’d love to say I meticulously planned this session around the glorious supermoon, but I’d be lying. My original idea was to create a Bridal Editorial during Blue Hour on Brighton beach, where I live. It’s a mood I’ve explored before, just after sunset, and I love the atmosphere it evokes in that soft twilight.
So, I pulled together a moodboard and assembled a small team. After a busy wedding season, we all agreed it was time for some creative play – a chance to shoot just for fun.
As photographers, it’s important to carve out time to shoot purely for ourselves. How can we grow creatively if we’re only ever shooting for clients? I always have a few ideas simmering, with Pinterest boards for inspiration. When the time feels right, I pick one and develop it further.
Back when I was working in the music industry, I regularly shot for my portfolio, and many of those creative experiments ended up being requested by clients later on. It’s a cycle – you show what you love to shoot, and in time, you get paid to do it.
THE TECH TALK
Farmers Image Of The Week: Blue Hour Bridal Portrait
Having shot on film and transparency for over 20 years, it still amazes me how digital cameras now let us shoot in incredibly low light. Gone are the days of being stuck with whatever ISO was loaded – we can now explore those darker moments after sunset, like Blue Hour.
I’ve shot plenty of Golden Hour images, and while that warm glow is undeniably beautiful and romantic, there’s something wilder, almost witchy, about Blue Hour. It’s an untamed time of day that I’m increasingly drawn to.
On the evening of our shoot, we were blessed with a spectacular Supermoon. It was too special not to make it the focal point for some of the shots. Our model, Anna, held her hands perfectly still, cupping them just right, and all I had to do was align her hands with the moon – it was magic.
To the eye it was much darker so I had to be careful that it was focused in the right place and allow for a longish shutter speed so that the light that was there could be recorded. I also set the white balance to daylight, to ensure that the subject wasn’t too cool in tone.
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