Giant’s Causeway Elopement: Farmers Image of the Week

Giant’s Causeway Elopement: Farmers Image of the Week

Farmers Image of the Week

Lauren Chambers

Giant’s Causeway Elopement: Farmers Image of the Week


When I was a kid in Northern Ireland, a trip to the coast meant a few key things: Barry’s Amusements in Portrush, a go at the Bingo, a stick of rock… and often a detour to the spectacular Giant’s Causeway.

Back then, it felt like magic these geometric rocks that disappeared into the sea. Now science might say they were formed by a volanic erruption but to anyone who grew up here they will always be stepping stones built in a rage by the giant Finn McCool. No matter how many times I’ve returned, that place still holds a sense of wonder. So, when this image from Lauren at LIT Photography landed in my feed, I was floored.

It’s not easy to get a clean shot at the Causeway these days. Since Game of Thrones turned it into Pyke Island, it’s become a magnet for tourists, photographers, and day-trippers. To capture a couple alone, with no one else in the frame? That’s already impressive. But to also time it to perfection with the light, the sea spray, the romance, the drama that takes vision, patience, and a touch of magic.

Let’s talk about what makes this image so strong:

  • The location does a lot of the talking, sure, but Lauren hasn’t just relied on nature to tell the story. She’s worked with it. The positioning of the couple is perfect – tucked into the light, framed by the rocks, safe but cinematic.
  • That backlight is the stuff of dreams. The sun is low, breaking through the clouds just long enough to wrap the couple in gold while the wave crashes behind them. She’s caught it mid-motion, the kind of timing you can’t fake.
  • The composition, their embrace, the line of the rocks – it all draws your eye straight into the couple, and yet the setting doesn’t lose any of its presence. It’s balanced storytelling.

This is how you build an image that works hard for you. As a wedding photographer who also plans and shoots elopements, Lauren’s entire brand is encapsulated in this one frame. You can see the planning, the trust she’s earned from her couple, and the confidence she has in her location. She’s selling an experience as much as a photo.

What I also love is that this isn’t just a “pretty picture” it’s a reminder that nature can give us the most breathtaking backdrops, but it’s never worth putting couples at risk to get the shot. The rocks are wet, the waves are real, and Lauren has clearly taken care to balance safety with impact.

This Giant’s Causeway elopement image deserves to be celebrated. It’s powerful, evocative, and totally iconic, the kind of frame that sticks in your mind long after you’ve scrolled past it.

A stunning photograph of a Giant’s Causeway Elopement for our Farmers Image of the Week
THE DETAILS

CAMERA: Sony a7iv & 35mm 1.4 g master

SETTINGS: ISO 100 | F2.0 | 1/500

PRESET: Own preset used on Aftershoot

WHAT lauren SAID

The sun peaked below a huge amount of cloud to give this moment as the waves were piling high. “

Joshua and Nikki opted to elope just a month ago. They hopped off their European cruise when it docked in Belfast and we got them married on the Causeway Coast.


Myself and my team planned everything for them and when the day came the weather was very much on our side.
It wasn’t too cold, the wind was minimal but there was atmosphere in the air rather than loads of sun. The sun peaked below a huge amount of cloud to give this moment as the waves were piling high.

Normally I put couples on the peak of these rocks but the waves were super high and I deemed it too dangerous. For me safety is paramount for shots like this.


As I was taking this there were a bunch of landscape photographers who interrupted and actually asked us to put the couple on the peak of the rocks as they thought it would be better. I explained that it was too dangerous. My husband is part of the RNLI and I know how one rogue wave can wipe people off these rocks so I was not taking that chance. I’m so glad I didn’t because I think this composition is so much better. And these waves came even further in so we moved them really quickly.

Just after, as the sun was still dipping one of them actually came over and interrupted to get my couple’s email address so they could send them photos they had taken of them. I was super patient but sooo aware that the light was dipping and we had very little time to get the light exactly where I wanted it.

Anyways, it all worked out and my couple were delighted with the shots I took.

THE TECH TALK

A stunning photograph of a Giant’s Causeway Elopement for our Farmers Image of the Week

Shooting backlit is always a difficult balance and trying to nail the exposure is the toughest part. I shoot a lot at different exposures so I have options as I do genuinely believe it can be trial and error. I under-expose on my Sony and bring up the shadows in lightroom. I was delighted how this turned out.

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